The Gospel of Tommy Visconti

The Gospel of Tommy Visconti ISBN: 9781983826962, an e-book published, copyright and written by Seth Mullins.

Tommy Visconti had been a friend and partner of Brandon Chane for many years. Together they established a phenomenally successful rock band, retired, reinvented themselves for another highly successful ride and then Tommy descended into a period of soul searching and depression. This story is about his ruminations and search for a ‘way out’. The basis of his present state appears to stem originally from the loss of his older, star athlete and rigidly correct brother Louis who died falling from a cliff. It is something he cannot forget because he believed the death was his fault, a belief strengthened by the fact that his brother’s perfection appeared to provide the basis for his family’s existence. Louis always had been the important son while he was largely ignored. With Louis no longer there to accomplish scholastic and athletic feats, the family disintegrated and the mother and father divorced within a short time. Now, the distressed Tommy eventually consults Saul, a local psychiatrist who not only had aided Brandon successfully through the years but had become almost a part of the band through several joint projects. Saul was able to explain that he typically thought of his past in terms of pain and loss which brought him to the present and the reality which is ‘here’ in the present and it “galls him because it denies him any way of honoring the past in terms of pain and loss.” He must use a different perspective. He must realize that what he thinks about his past is a lot more important than any of the events that actually happened. He dreams a lot and Saul begins helping him to interpret them with thoughts that “Nothing has any reality independent of the mind that perceives it… For everything possesses consciousness…” Dreams are reality attempting to ‘prove’ them and ignore everything that doesn’t. If you’re focused on guilt and regret in the present moment then you can forage through your past seeing nothing but tragedy and the ‘proof’ of your ignorance. But if you have a sympathetic attitude towards your younger self then pleasant memories will rise to greet you.” There follows lengthy introspective sessions including reminiscence of activity and conversations of the time with numerous individuals involved in the pre- and actual tours. This, along with Saul’s considerable help finally make Tommy face the fact that his brother’s death was a suicide because he could not live with the fact that he had been involved in ‘imperfect’ activity. Brandon and he gradually, and finally, begin to once again come together. They discover a philosophical, emotional and creative meeting ground “that we’d never known before, despite our fates having been intertwined for so many years.” The Gospel of Tommy Vasconti” was recorded and released. It was their 5th major-label release; 7th record and made Edge of the Known appear as mystique and again enabled them to reinvent themselves as had Humanity’s Way Forward and Fire Thief Reborn to once more arrive at the top of the charts.

Discussion: The author once again has provided a most interesting look at the inner workings of the mind of modern musicians who can turn a group of young persons into a seemingly chaotic mass of madly writhing, often screamingly energetic bodies. Some of what the author has presented seems overly verbose. In an earlier volume the protagonist wrote songs because he was lonely, desperate and scared – facets that have wide appeal, especially to young listeners. Here, he is attempting to provide feelings and answers to questions that may or may not be as pertinent to the needs of his audience. Such a journey is torturous in the extreme to say the least and the author’s resulting presentation may well reflect this level of difficulty. Still, numerous interesting comments are included, some of which tend to reflect the inner workings of individuals in this business, but may intriguingly reflect those of others as well. Some examples, paraphrased and/or quoted: Modern musicians see a vision and try to open it for others. Thus on the one hand there are people who want to project all their fantasies on you and turn you into a God, and on the other hand there’s all those who don’t understand a word of what you’re trying to say. Either way, it’s people who’re unacquainted with the inner world and not hearing that voice of their own inner guidance. “Could be a blessing rather than a curse to be ‘dysfunctional’ which oftentimes signifies nothing more than an inability to participate in the status quo. No sign of health to be well adapted to a sick society and all that.”

“What people try to put on our shoulders, doesn’t have to be shouldered.”

From the chapter about sexual exploits; It is clearly not hedonism alone. Moments when you feel “the cold of the void.” You meet a woman with whom suddenly you equate – “you’ve discovered this patch of warmth in the tundra and you just want to soak it into the bones of your being. If it’s a disastrous choice then you can flee to the next city and escape its shadow, come tomorrow. If it’s good, the pangs of loss will stab you suddenly when you’re standing in line for baggage check at the airport. Either way, your mind inevitably conceives the same remedy – find another one somewhere down the road.”

“Just don’t ever feel like you’ve got to be perfect… not for anyone else; not even yourself. It’s o.k. that we all make messes in this life. Hell, it’s a big part of the reason why we came here in the first place. This place is where we learn. A lot of what we learn is from our mistakes, from the things that we regret, things we think about and wish we’d done differently.”

4* Discursive, even occasionally digressive, but intriguing on several levels.

Identity (Salinor the beginnings Book 2)

Identity (Salinor the beginnings Book 2) a fantasy. Copyright, published and written by Samuel Alexander.

Plot/characters: The ethereally described world of Salinor, after twice putting down tyrannical magician leaders through valiant action of the Alliance composed of non-magicians, again appears to be facing the rise of still another. Drak, the next in line, is a young student of Shalini, a powerful magician from the first book in the series, who has decided to teach the nation’s youth. Through circuitous routes from shared dreams and contacts and subsequent consultation with an eminent seer, word is beginning to spread that the perpetrator will be the bad brother of Lynton, a most well-liked, honorable young man who has been informed he must kill this brother instead of attempting to reform him. He cannot bring himself to kill his own brother and the situation begins to escalate. It is foretold that all of the royal family will be killed and it becomes incumbent upon two of Drak’s class mates, Tilal and Janon, who seem to be amazingly advanced in their magical ability, to protect him. Simultaneously, Cherann, a soldier who has taken a year off to properly train her young brother, Dent, along with Lela the powerful Seer, her sister Shalini and Lynton who we have learned has special powers as the son of the all-powerful dwarfs, proceed with their counteractions to the impending disaster. The plot gradually advances to chaotic levels. The newly led Alliance once more arises and the resulting battles produce wide-spread death and destruction. Tilal becomes a mighty woman warrior and Drak also performs heroic feats. Janon has become a most important and in-demand healer and admires them both. However, as with the protagonists in book one, he also is interested, and increasingly frustrated that his pursuit of a more intimate relationship with Drak is not proceeding in accord with his desires, begins to become a problem, and this volume, as volume one, ‘ends without an ending.’

Discussion: As I said in reviewing the first volume, the author certainly demonstrates a highly imaginative and creative mind and has a fine understanding of the English language. Further, the verbalization flows better in this second book. However once again. the plot and general features of presentation provide a considerably negative reaction. The former is barely discernable and its destination is questionable. The characterization is minimal, they act little and engage in lengthy discussion, often without proper identification, so that the speaker frequently is questionable. Much description is set forth on the various sections of ‘the world’ and the racial differences in appearance and proclivities. Granted, it is interesting but for the most part offers little to the plot. This second in the series stands alone with little brought over from the first book except for the same problem and a couple of characters. But, this also provides another unfortunate feature, at least from this reviewer’s perspective. So much of the first book was projected onto the importance of a prophecy and the part that was to be played especially by one of the protagonist, it was assumed that Book 2 would continue to pursue this thread. Instead, the protagonists have disappeared, except for provision of the missing protagonist’s name being provided as the place of residence of a young boy in this volume. Apparently the prophecy, even though the basis for the first book was not that important?

Conclusion: For the first book in this series was: “A fantasy of possibly epic proportions that no doubt will appeal to readers closely attuned to the genre. Existing problems have been enumerated for others than those so dedicated. The next volume, of course, hopefully will correct many of these features.”

Regrettably, few problems have been eliminated, and several new have been added. Thus, it is conceivable that fantasy devotees probably still may enjoy this second volume, but it sincerely is questionable whether even they will be enthralled.

3* Possibly more for fantasy devotees; questionable level, as described.