Humanity’s Way Forward

Humanity’s Way Forward, The Edge of the Known – Book Three ISBN: 9781503166462, an e-book by Seth Mullins.

Plot: Brandon Chane from the small town of Sadenport, Oregon, suddenly explodes to superstar status in the tumultuous world of modern music. His rise is unexpectedly sudden and dependent upon a fine blending of serendipity, a shrewd manager and his remarkable ability both as a musician and to write beautifully descriptive poetry/lyrics. These latter are more especially the compelling factors in the band’s ascension because he can express thoughts of hope and despair that reach and vibrate in the minds of the young audiences now searching for the “underground music for listeners tired of being offered nothing but those from big business.” Journalisms’ coverage describes his ability as similar to a Shaman – “…put forth a dream that others can share in, so they become like a kind of tribe with a sense of unity”. Brandon is somewhat adverse to their description but admits that “Throughout our time in the studio, Tommy, Carlos and I transformed into mythic versions of ourselves; personalities that, though still grounded in the world of “facts”, nevertheless felt, at our backs, the will and creative outcry of a reality that was too deep, wide and unfathomable to be contained within any realm of fact.” His negativity toward being labeled a Shaman unfortunately is just one of many of the problems suffered by this very mentally disturbed individual who apparently had suffered greatly from a lack of familial closeness. He believed his mother had just ‘given up’ and died leaving him alone with an abusive father – a belief credibly understandable in an individual prone to the greater emotional sensitivity frequently attributed to persons of poetic and and/or musical abilities. The tale continues through much introspective activity by Brandon as the tours progress, introduces a number of interesting supportive characters and ends with an understandable conclusion. Additionally, although this is the third volume in the series, it stands well by itself.

Discussion: The author has provided perhaps the most comprehensible description/explanation for and of the seemingly mass hysteria that often accompanies performances of today’s performers of so-called underground or alternative music and of the performers themselves. They and their followers are of the generation(s) that never have acquired a firm basis upon which to build a life. For the abused the reaction is most easily understood. However what of the large numbers of these persons who are not from this group – those from the middle and upper strata of society? Perhaps a simple answer suffices. They never found the necessity of building a firm base because they have been provided with most of the amenities for teen-age life with seldom a denial. Thus, when they are faced with the uncertainties and turmoil rampant in today’s simple act of living – economic uncertainty, political unrest, angst, loss, conflict – they are lost and looking desperately for an answer, ANY answer and will “… accept an answer not so much because it is true but rather because it saves them from the discomfort of living an uncertainty.” “That’s pop culture for you and I’m speaking as one who was beloved by it.” Success came as a modern age witch doctor and “Songs addressed the crucial questions of what life and death were all about.”

Summary: An engaging tale of modern music, its performance and of a performer hungry to be heard, but strangely adverse to the attendant fame.

5* Fascinating examination of pop culture in a fictional offering.

The Last Savanna

The Last Savanna ISBN: 9781627040082 Mandevilla Press (Earlier published by Headline Book Publishing [London] in slightly different form as The Ivory Hunters), an e-book by Mike Bond,

Plot: MacAdams is one of those long-time immigrant residents from England who could never leave Africa. His wife, Dorothy, an alcoholic and no longer able to take it, leaves for England where their two sons now reside when Mac decides to again aid the government. He joins his long-time friend Nehemiah to attempt to save the wildlife from the illegal poachers – a new breed armed with AK-47’s. On a foray they are partially successful, but he obtains a chest wound and several broken ribs when charged by a cape buffalo. It is discovered that three of the Somali poachers who escaped with ivory also had killed most of an archeological group and kidnapped a woman member, with whom he retained strong emotional ties after an earlier clandestine love attachment. In spite of his severe injuries, he decides to attempt to rescue her and the story follows in detail the ensuing chase ending as might well be expected.

Discussion: The entire tale is perhaps one of the most complete word pictures of a country/persons, this reviewer ever has read. Africa and its inhabitants are depicted simultaneously with all of the beauty, ugliness and both necessary and seemingly often unnecessary cruelty generated within its boundaries by its various life forms. An Elan gradually approaches a stream to quench its thirst. It is killed by an old lioness, who in turn suffers the same fate from a magnificent young beast, only to be killed by a native’s spear because the hide will provide enough to pay for his two boy’s schooling. Regrettably, he too is killed by a raiding Somali’s AK-47. All of this action along with accompanying thoughts interestingly and quite minutely described. The author further beautifully presents the totally engulfing hold that the continent seems to exert on some individuals. “On the equator the days pass one like the next. You come here young, marry, raise a family, die and leave no tracks. Occasionally you go “home”, to London and the Cotswold mists….. After a few weeks you wake up one day and decide to go back to Africa – the rest is just a game. Like malaria, Africa. Once bitten you can never shake it. Yet Africa is dying, taking the fever with it. Have no attachments, MacAdam knew the Maasai said: see the world as it passes, not siding with lion or gazelle. A century ago the whites came, ploughed and fenced the savanna, cut the forests, grazed their ignorant cattle where the wildebeest had roamed. They killed the warriors and made the docile ones clerks, told them we nailed God to a tree because he threatened to free us from our sins. What are sins?” the Maasai answered. God is the land, the trees, the mountains, the animals, the sky, the rivers and the rain. How do you nail this to a tree?” Now the land, the trees, the animals are gone: the whites were right – God’s not so hard to kill.

And now most of the whites had gone, too, leaving behind them a plague to finish off what they had begun …allowed the week to survive, populations to explode, the limitless savannas and jungles cut into tiny shambas where swollen families burnt and hacked the vegetation, then clung to the malnourished soil till it eroded to bedrock” and nothing is but dust. In other words, the author has provided a story that is sad but factual, full of suspense and action but with much about which to ruminate. It is well-written. Probably could have profited from judicious editing but then again such action could interfere with the ruminations to which the material could lead the contemplative reader. The more pragmatic reader probably will find too much that is too difficult to accept.

Summary: A most unusual and descriptively detailed story some readers will discover to be most intriguing.

4*    5* Intriguing for some; 3* flawed, possibly extensively, for others as described.