The Broadcast, an e-book published, copyright and written by Liam Fialkov.
Plot: The author has provided an interesting plot that is quite closely allied with thoughts arising from Erich von Dänilien books. However as provided, little description of the plot may be set forth without a ‘spoiler alert’ for presenting too much of it and/or its component parts. Briefly however, the story centers around a series of blockbuster broadcasts that at first present photographic evidence of situations that lead to solving ‘dead case’ murders. It then switches to documentary productions of historic events that the producer states gradually will go back to zero AD. As these latter increasingly reveal graphic descriptions of well-known/accepted factors of history, mounting pressure is exerted against their production by both Christian and Muslim groups who fear revelation of various activities that may be contrary to their long held beliefs and/or teachings.
Characters: Leading characters include Jonathan and his brother Walter, who as small children had been put up for adoption when their family was killed in a car crash. Walter was fortunate in being adopted by a loving family, well-educated and became a well-known TV producer. Jonathan became the product of several foster families and was only variously educated. He was intelligent and extended his education into several areas, however. Jonathan’s wife Sarah, disowned by her family for becoming pregnant at sixteen (actually raped) was sent from St. Louis to Phoenix where she delivered a baby that was taken from her at the convent causing her endless remorse. McPherson is an award winning journalist who believed the productions by Walter were phony and set in motion an attempt to expose them. HH a former debatably crooked cop who had served time and now was a bitter, occasionally vicious PI. Michael, a young adopted boy who is hired by Walter and plays an increasing part in the story. Numerous others who play roles of varied importance. Additionally, Jonathan and Sarah’s large, heavily forested area of residence contains an unusual portion that also plays an important part in the tale as the plot advances until it gradually reaches a fitting finale.
Discussion: As described, the story begins with the TV’s Hype for the unusual clip that had come into Walter’s possession that reveals the perpetrator of a twenty-five-year-old murder, followed by similar before switching to the historical documentary productions. The method of provision is to quite constantly switch between scenes with intermediate chapters. 1 – the TV hype; 2 – a chapter describing Johnathan and Sarah; 3 -one of Sarah; 4 – the Broadcast; 5 – Johnathan; 6 – the Broadcast; 7 – Michael; 8 – the Broadcast, etc. This approach does provide important bits and pieces of the story and the interrelationship of numerous characters as they move inexorably toward the finish. Unfortunately, the format results in a large amount of repetition and/or redundancy that if removed, would greatly enhance the progression of an intriguing story. Some, more prosaic, readers may find a little difficulty in accepting some character activity and many will find character development sketchy. Some will find the ending ‘proper and emotionally satisfying’ while others may believe it to be a little too ‘pat’.
4* For fascinating story; -1 at least for numerous hiccups.
Chasing the Red Queen, a multiple genre novel published, copyright and written by Karen Glista.
The book opens with a prologue from an ancient birch parchment of the Ojibwa, also known as Chippewa, Indian nation, whose main area of residence more or less centered on Sault St. Marie and contiguous portions of America and Canada. The parchment details how “seven spirits presented themselves to the people in the Land of the Dawn to teach the Mide way of life. The first six spirits were good and kind, but the seventh grew too powerful and killed those in his presence.” Supposedly, the good spirits had forced him into the ocean. This is a story of his reappearance and centers on Donja Bellinger, whose mother’s death four years previously has left her with intense psychological problems. Now her mother has decided to marry Carson Hampton and they are to move to the upper Michigan Peninsula leaving the home, school, surroundings and close friends established over her seventeen years of life. He was extremely nice, equated immediately with her younger brother and tried very hard to do the same with her. Offering still another problem was Carson’s daughter Makayla, a beautiful, poised, constantly well-dressed 17-year-old who was independently wealthy from money her mother had left her when she had passed away a few years before. They move into the new home which is on the Historic Homes Registry and reputed as having been owned by a woman who was believed to have been a Chippewa leaving the house haunted. It is a mess ad they are going to have it renovated while they’re living there. The two girls become true sisters as each has a problem with which they help each other and they go exploring into a secret room discovered. Here they find many fascinating things, not the least of which are very old paintings on birch bark along with some of the earliest photographs. These, combined with other discoveries – the fact that Donja is the only descendant left of a distinct branch of the Chippewa nation; she and Makayla becoming romantically involved with two extremely handsome men in the near-by night life centers; the men are actually part of a vampire-like race living on earth for centuries – all lead to extended wild and weird activity evolving from re-entry of that seventh (evil Ojibwa) spirit who is attracted to Donja as the only surviving member of that extinct branch of the Chippewa Clan. The tale culminates eventually in horrendous bloody battles and a fitting end.
Discussion: The author has used the well-known strange stories that have for years emanated from, and about, the upper Michigan Peninsula and associated parts of Canada but has added a new twist – a vampire-like (alien) race of immortals. This amalgamation with one of the well-known basic themes is perhaps a little jarring to readers aware of the usual thrust of stories associated with the area. But in its unique multi – fantasy/alien (?)/vampire/mystery – genre status is acceptable and as such, no doubt of interest to many readers of one or more of these categories. Regrettably, there are a number of features that, at least from this reader’s viewpoint, make evaluation difficult to say the least. The impression first acquired is that the story appears to be slanted somewhat toward a teenage feminine group because after an initial understanding of Donja’s decision to go goth, the extensive amount of description set forth and emphasis on make-up, hair styles and stylists, boutiques, and variations in dress, as well as the approach to male/female activity descriptions somehow heightened this impression. However, as the story continues the trend became more varied and the imposition of more graphic violence moved the tale to assume a broader scope. Another distraction is the number of lengthy descriptions that requires judicial editing to aid in remaining closer to the book’s basic story. So to reiterate, a story difficult to assess.
Conclusion: A multi-genre story that no doubt should appeal mostly to certain Fantasy/Romance readers who do not mind inclusion of considerable graphic violence and lengthy rhetoric only tangentially pertinent to the main theme.
3* Multi-genre tale adding unusual twist to those associated with the region.